Table of Contents

Screening for the Holocaust in the Soviet Union: Jews without the Holocaust and the Holocaust without the Jews

Soviet Antifascist Films of the 1930s: The Earliest Images of Nazi Anti-Semitism and Concentration Camps on World Screens

The First Phantom: I Will Live! (1942)

How a Soviet Novel Turned Into Jewish Film: The First Depiction of the Holocaust on Soviet Screens, The Unvanquished (1945)

The Holocaust on the Thawing Screens: From Fate of a Man (1959) to Ordinary Fascism (1965)

The Holocaust at the Lithuanian Film Studio: Gott mit Uns (1961)

The Holocaust without the Jews: Steps in the Night (1962) and other Films

Kalik versus Goskino: Goodbye, Boys! (1964/1966)

Stalemate (1965) Between the Filmmaker and the Censors

Kalik's Last Phantom: King Matt and the Old Doctor (1966)

The Film that Cost a Career: Eastern Corridor (1966)

Muslims instead of Musslmans: Sons of the Fatherland (1968)

Commissar (1967/1988): The End of the Thaw

An Alternative Track: Jewish Soldiers Fighting on Soviet Screens

The Last Phantom — The First Film: Our Father (1966/1990)

Perestroika and Beyond: Old Wine in New Bottles?

Conclusions